Knight at the Movies ARCHIVES
      
      
      Drum roll please...
The Ten Best GLBT Movies of 2005
1-4-06 Knight at the Movies/Windy City Times column
by Richard Knight, Jr.
      
                  
            2005: A banner year for GLBT movies and not a bad time to be a gay movie review either
      
      If the early 90s hailed the breakthrough of queer cinema, surely 2005 will go down as the year that gay movies went mainstream.  
Look no further than your local Cineplex for immediate proof of that.  Perusing the titles you’ll find Brokeback Mountain, 
Transamerica, Breakfast on Pluto, Capote, The Family Stone, The Producers, and Rent all playing at once.  And it’s been like that all 
year – there hasn’t been a month without at least one or two films with heavy GLBT themes or content in theatres.  Though the 
majority of the titles are still coming from small indie producers and production companies, the continued absorbtion of all things 
queer by the mainstream is to be heartily applauded.  
There are still thousands of GLBT stories to tell – and hopefully in the future we’ll see more GLBT actors, writers and directors 
bringing them to all audiences.  I for one await the moment the first A-List male and female star come out while at the peak of their 
popularity – without impunity – instead of at the tail end.  No matter what, based on the slate of 2005 releases, Queer Cinema is 
certainly here to stay.  But maybe what is still a distinct subgenre might one day meld so neatly into existing categories – romance, 
action, dramedy, etc. – that the distinction of “queer cinema” might become superfluous.
I’d like to point out – as I did last year – that all these “Best of” lists are completely subjective.  Perhaps you thought The Island 
was as good as it gets while I thought it merely a worthy contender for “Guilty Pleasure of the Year,” for example.  My list tends to 
shift around with repeat viewings and reconsiderations.  With those caveats in mind, here’s my list of the 10 Best GLBT Movies of 
2005 (in preferential order):
      
      
       1. CAPOTE   If Philip Seymour Hoffman’s performance as the diminutive southern writer immersed in the 
research and writing of “In Cold Blood” isn’t revelation enough, add a great script by first timer Dan 
Futterman (Will Truman’s ex-boyfriend on “Will & Grace”), the first feature from Bennett Miller, and a quiet, 
elegiac supporting performance by Catherine Keener as Capote’s friend and research assistant (and reported 
lesbian), Harper Lee as well as that of Clifton Collins, Jr. as Perry Smith, the murderer with the soul of a poet 
that seemed to entrance Capote.
       
      
       2. BROKEBACK MOUNTAIN  Consider these elements: a much lauded short story about cowboys in the 
west involved in a tragic romance with each other fleshed out by scriptwriters Larry McMurtry and Diana 
Ossana.  A film director the caliber of Ang Lee, Oscar winner for Crouching Tiger, Hidden Dragon and noted 
for his films dealing with emotional purgatory.  Two A-List stars that couldn’t be any hotter at the box office 
making love on screen: Heath Ledger and Jake Gyllenhaal.  When you’ve finished doing the math you’ll find 
that the resulting movie is nothing short of a landmark.
       
            3. MYSTERIOUS SKIN  One of the first directors of the queer cinema Gregg Araki returned to form with 
this devastating look at the effects of child abuse on two young men (beautifully played by Joseph 
Gordon-Levitt and Brady Corbet). Dreamily filmed and scored (by ambient composer Harold Budd and 
Cocteau Twins guitarist Robin Guthrie), this gut wrenching film also has a last scene that topped anything 
else this year.
       
            4. LOGGERHEADS  I called this first feature from gay writer-director Tim Kirkman the perfect example of a 
perfect “little movie” and I stand by that.  This story of a birth mother (Bonnie Hunt in a searing, heartfelt 
performance) searching for the son she never knew, the gay drifter Mark (Kip Pardue), and encountering 
instead his adoptive, arch conservative parents (Tess Harper and Chris Sarandon) is a deeply rewarding 
movie going experience with faultless performances, cinematography, and music.
       
      5. WALK ON WATER  Israeli director Eytan Fox and his lover, writer Gal Uchovsky followed up their well 
regarded gay cinema favorite Yossi & Jagger with this complicated story of a Mossad agent (Lior Ashkenazi) 
ordered to track down a Nazi by posing as a tour guide for his grandchildren, Axel and Pia.  The multi-
layered story (it’s also a terrific thriller) focuses on the agent’s gradual acceptance of Axel’s homosexuality 
as he confronts his ethnic prejudices.  Based on Ashkenazi’s performance (not to mention his heartthrob 
good looks), it’s not surprising to learn that he’s Israel’s biggest male star.
       
      
       6. THE FAMILY STONE  Out writer-director Thomas Bezucha follows up Big Eden, his 2000 feature-writing 
debut (it’s my all time favorite “gay” movie) with this twist on the romantic comedy staple of a young man 
(Dermot Mulroney) bringing home his uptight girlfriend (Sarah Jessica Parker) to meet his family at 
Christmas.  Diane Keaton shines as the mother of five who fiercely defends her deaf, gay son in such no 
nonsense terms it's like a call to arms.  Take that homophobes!
       
            7.  MY SUMMER OF LOVE  Perhaps the year’s sexiest movie was this dreamy treatise on two very nubile 
young ladies in love in the gorgeous, lush English countryside.  Startling debut performances from stars 
Nathalie Press and Emily Blunt, an evocative soundtrack and a last minute revelation add to the film’s overt 
sensuality.
       
            8. THE PRODUCERS  The old fashioned musical returns in this remake of the Mel Brooks 1968 classic.  
That version was hilarious and proudly heterosexual while this musical remake takes its advice to “Keep It 
Gay” at every twist and turn.  Badly shot and pitched to the back of the balcony, it’s a triumph of studio 
artifice nevertheless.
       
            9. TRANSAMERICA  Felicity Huffman’s transcendent performance as the pre-op transsexual Bree is what 
got writer-director Duncan Tucker’s debut feature a spot on my list.  Without Huffman, the movie is a 
likeable road movie of no particular distinction.  But with Huffman…glorious.
       
            10. D.E.B.S.  Lesbian African-American writer-director Angela Robinson (that’s a lot of labels for one little 
ole filmmaker) broke through 27,000 barriers with this cute spy spoof parody that’s going to find itself in 
esteemed Zoolander territory on DVD sooner or later.  The film’s multiple sight gags serve as a backdrop for 
the budding romance between super villain Lucy Diamond (Jordana Brewster) and super spy/schoolgirl Amy 
(Sara Foster) that is sweet and silly.