SOUNDTRACKS
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Soundtracks are a lot more than movie music...
...or so I'm ready to argue as a 30 year devotee of this sorely under appreciated genre. So, in an effort to do my part, each week
I'll be making recommendations of soundtracks current and vintage, make a fuss over long awaited soundtrack scores finally getting
a well deserved release, and in general, make some noise about this often overlooked category. Beyond my long experience as a
listener and as a pianist and songwriter, both of which I've put to use in writing a quarterly soundtrack column for the Chicago
Tribune, I can only offer my recommendations. You'll discern my taste soon enough and upfront I'd like to make it clear that I'll
focus most heavily on SCORE soundtracks. In the end, all criticism is subjective but if I can point a listener toward a little heard
soundtrack or strongly advise you to either ORDER IMMEDIATELY or SKIP ALTOGETHER, all the better.
...or so I'm ready to argue as a 30 year devotee of this sorely under appreciated genre. So, in an effort to do my part, each week
I'll be making recommendations of soundtracks current and vintage, make a fuss over long awaited soundtrack scores finally getting
a well deserved release, and in general, make some noise about this often overlooked category. Beyond my long experience as a
listener and as a pianist and songwriter, both of which I've put to use in writing a quarterly soundtrack column for the Chicago
Tribune, I can only offer my recommendations. You'll discern my taste soon enough and upfront I'd like to make it clear that I'll
focus most heavily on SCORE soundtracks. In the end, all criticism is subjective but if I can point a listener toward a little heard
soundtrack or strongly advise you to either ORDER IMMEDIATELY or SKIP ALTOGETHER, all the better.
With the release of a Special Edition of Babel, I'm once again highlighting the
movie's eclectic score:
Alexandre Desplat, one of my new favorite film composers lost the Oscar for
his score for The Queen to Gustavo Santaolalla, who won for the second time for
Babel (he also won last year for Brokeback Mountain). Not surprisingly, the
complex, multi-storied movie also called for a number of musical styles and
the 2-disc soundtrack (on Concord Records) reflects that.
It’s a mash up of musical cultures – everything from a disco remix of Earth,
Wind & Fire’s “September” to an assortment of traditional Mexican tunes. The
Argentine Santaolalla’s compositions again focus on his signature evocative,
twangy guitar that resonated so beautifully in Brokeback and act as nice
bookmarks between the other selections. This is a great soundtrack for
musical schizophrenics (I'm proud to list myself among their number).
But unlike his evocative work on Brokeback, Santaolalla’s work for Babel is
eclipsed by what is the musical highlight of both the film and the soundtrack,
the achingly beautiful “Bibo No Aozora,” by Ryuichi Sakamoto, who is also a
favorite film composer (I especially admire his scores for Merry Christmas, Mr.
Lawrence and The Sheltering Sky).
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++
Don't forget to check out previous soundtrack recommendations by visiting the
ARCHIVES
Next Recommendation: TBA
movie's eclectic score:
Alexandre Desplat, one of my new favorite film composers lost the Oscar for
his score for The Queen to Gustavo Santaolalla, who won for the second time for
Babel (he also won last year for Brokeback Mountain). Not surprisingly, the
complex, multi-storied movie also called for a number of musical styles and
the 2-disc soundtrack (on Concord Records) reflects that.
It’s a mash up of musical cultures – everything from a disco remix of Earth,
Wind & Fire’s “September” to an assortment of traditional Mexican tunes. The
Argentine Santaolalla’s compositions again focus on his signature evocative,
twangy guitar that resonated so beautifully in Brokeback and act as nice
bookmarks between the other selections. This is a great soundtrack for
musical schizophrenics (I'm proud to list myself among their number).
But unlike his evocative work on Brokeback, Santaolalla’s work for Babel is
eclipsed by what is the musical highlight of both the film and the soundtrack,
the achingly beautiful “Bibo No Aozora,” by Ryuichi Sakamoto, who is also a
favorite film composer (I especially admire his scores for Merry Christmas, Mr.
Lawrence and The Sheltering Sky).
++++++++++++++++++++++++++++++++++++++++++++++++++++++++
++
Don't forget to check out previous soundtrack recommendations by visiting the
ARCHIVES
Next Recommendation: TBA
| The soundtrack cover and the film's composer Alan Silvestri |
